John Rakich, DGCO/ATAS/LMGI, is an internationally recognized Supervising Location Manager and Location Scout with over 25 years of experience across studio features, major television series, and global streaming productions. Having worked extensively throughout North America and more recently Europe, the Middle East, Africa, and Asia, he brings a uniquely international perspective to the craft. John is both a Canadian and European citizen, allowing him to work fluidly across borders and production systems.
He currently serves as **President of the Location Managers Guild International (LMGI)**, where he oversees the Guild’s expanding worldwide presence through strategic partnerships, global outreach, and the development of international FAM tours that connect members, film offices, and studios. His leadership includes deep engagement with production stakeholders, strengthening the Guild’s relationships with studios, streamers, film commissions, and service companies around the world.
A former board member of DGC Ontario and an active member of both the Academy of Television Arts & Sciences (ATAS) and the Academy of Canadian Cinema & Television, John also contributes his expertise to numerous municipal, regional, and international advisory boards. His work informs policy development, incentive strategy, workforce growth, and industry education across emerging and established markets.
A sought-after speaker and moderator, John regularly leads conversations on:
* International production and cross-border collaboration
* The evolving creative role of location professionals
* Global workforce development and training standards
* Sustainable production practices
* Incentives, regional development, and the economics of location-based filmmaking
* Building meaningful partnerships between studios, film offices, and the locations community
John’s advocacy reinforces a simple truth: locations are not just places—they are storytelling partners. His commitment to collaboration, innovation, and global industry connectivity continues to shape the future of international production.
